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October 11 – November 23, 2008

An exhibition with 100 designs by Wim Crouwel celebrating his 80th birthday and also celebrating 20 years Nijhof & Lee.
To celebrate the 80th birthday of Wim Crouwel and 20 years Nijhof & Lee VIVID organises the exhibition 80 | 20 | 100.

100 works by Crouwel will be on display. For this VIVID gallery made a selection out of the superb Crouwel collection of Frank Nijhof and Warren Lee.

The exhibition will be accompanied by a fully illustrated catalogue designed by David Quay

(via Aisleone)

2005-7, urethane coated, lacquered synthetic resin and stainless steel
1.85 x 1.81 x 9.88 in / 47 x 46 x 251 mm
edition of 100 (with serial number), color: black / white

Artist Reona Ueda, based in Tokyo, just informed me about a new project in collaboration with the amazing New York based magazine NEWWORK.

1.7 is the first installment of a collaboration between a fine artist Reona Ueda, and a graphic design studio NEWWORK.

It is a wearable piece of art inspired by kanzashi, a traditional Japanese hair ornament. It is composed of spiraling text, defining peace. It is also enriched with handmade representations of Japanese native plants included in a classic botanical book, Flora Japonica. Written by the German physician P.F.B. von Siebold (1796-1866), it introduced many Japanese plants and flowers to Europeans in the 19th century.

Von Siebold resided in Japan from 1823 to 1829. Japan was then undergoing a strict policy of isolationism imposed by its feudal government. While practicing as a physician and giving lectures on European medicine and natural history, he focused on the naturalistic and ethnologic study of Japanese flora and fauna with full enthusiasm. Despite his fame in Japan, von Siebold is almost unknown in the rest of the world.

1.7 is part of the art project Global Identity that Reona Ueda started in 2002, which he details online at www.reona.org. It connects people from different backgrounds, including artists, designers, and non-artists by creating the shared platform where individuals link to and communicate with each other through the productions of artworks. Each contribution is numbered, and all the pieces are linked directly or indirectly.

Global Identity attempts to search for what senses, notions, and values we could share in our rapidly globalizing postmodern society. This approach also allows us to connect a numerous number of artistic styles expressed in our age. In this framework, 1.7 plays a role as a bridge between the traditional Japanese notion of art and the Western conception of fine art.

1.7 is soon to be available as one of Artists’ Products selection at Tate Modern shop.

Founded in 2007 by Christopher Sleboda and Kathleen Burns, Part of It works with artists to create products for causes they are passionate about. Sales from products benefit charities chosen by the artists.

Part of It stems from our belief that artists (and conscientious consumers) can make a positive difference in the world by supporting causes close to their heart. Expressions of protest, simple declarations, moving graphics that encourage conversation and dialogue—there are many ways to enter into and encourage civic discourse. We believe activism can be fun, personal, beautiful and engaging; we can all play a part in making a better world for ourselves, for our communities, and for future generations.

Above “Let’s be honest” Tote bag designed by Ken Meier (with David Yun)

Take a look at this very interesting post about Emil Ruder on Thinking for a Livingâ„¢ blog.

Cinematypography is an eclectic combination of: 70 film titles, 70 typefaces, and the creative input of: Build, KentLyons, Neue, SampsonMay, peter&wendy, This Studio, Un.titled and more.

Design David Corti (September industry)
A1 840mm x 594mm, Offset Lithography Arjo Wiggins Curious Translucents Silver 100gsm, PANTONE® Cool Gray 11 C
Edition of 50, 2008

£15, buy here.