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Through a collection of Hedi Slimane’s photographs of the 2000s, this book presents the journey of the iconic designer into fashion before, during, and after his tenures at Yves Saint-Laurent and Christian Dior. It is in this decade that critics acknowledge Slimane to have infused men’s fashion with an androgynous, rock ‘n’ roll verve that influenced couture all over the world.

In a 2003 conversation with “Interview’s” Ingrid Sischy, Slimane discussed his beginnings as a photographer: “I started taking pictures before I even began in fashion. I didn’t start with clothes until I was 16, but I had my first camera when I was 11. I’ve always taken pictures, almost like some people take notes or write down their thoughts.”

The four volumes reveal Slimane’s duotone photographs mixing the music scene, street fashion, and his haute couture shows, are as fresh as his paradigm-shifting work in fashion. They reveal his inspirations, his attention to both youth culture and classical references, and attest that his contribution to haute couture was maybe the constant refining of a line and silhouette that was to mark the culture of the noughties.

Limited box-set edition consisting of four volumes.

To be published July 31st 2011 by JRP|Ringier
English
May 2011
ISBN: 978-3-03764-115-6
Softcover, 232 x 290 mm
724 pages
Images 845 b/w
CHF 300 / EUR 250 / £ 190 / US 295




USED is a new, London-based large format art, fashion & design magazine with a beautifully sleek black-and-white design. Issue one features Winnie Troung, Allison Diaz, Anders Krisar, Philippe Gerlach and more…

Black-and-white
36.5 x 26 cm
54 Pages
£3

Buy it over at HUH




While Slanted #13 dealt with contemporary and historical humanist grotesque fonts, Slanted #14 – Grotesque 2 focuses on current fonts that are in tradition of Lineal, Neo- or Geometric Grotesque.

They mainly have their origins in the time of the turn of 19th to 20th century. In 1880 Ferdinand Theinhardt designed the Royal Grotesque with four weights for the Königlich-Preußische Akademie zu Berlin, from which developed the Akzidenz Grotesque in 1918. Simultaneously, from 1905 to 1930, Morris Fuller Benton created fonts on the basis of Lineal Neo-grotesque: the Lineal Grotesque. Nowadays there can be observed different procedures of designing fonts, which can be named as quotations. A variety of fonts bear on historical models.

A huge number of these corresponding and related grotesque fonts, illustrations and projects are presented. The type essays by Flo Gaertner (Karlsruhe), Robert Schumann (Berlin) and Anna Sinofzik (London) deal with them. Worth seeing photos stories are “Almost Europe” by Miguel Hahn and Jan-Christoph Hartung (Frankfurt am Main) who visualize the situation of refugees in the Spanish enclave Melilla, as well as »Ein Abend auf der Wiesn – Pictures taken during the great beer rush« by Volker Derlath (München). Numerous interviews with Lizá Defossez Ramalho and Artur Rebelo (Porto), Edwin van Gelder (Amsterdam), Marta Podkowinska and Karol Gadzala (Krakow) and Hans Gremmen (Amsterdam) as well as an article about Kiyoshi Awazu as well as the 4th part of the Tokyo Report, both by Ian Lynam (Tokyo) and a musical travelogue by Frank Wiedemann (Berlin) round up the stuff to read.

Slanted Magazine #14 – Grotesque 2
To quote is to bring back to life

Publisher: MAGMA Brand Design
Release: 09.06.2011
Volume: 148 pages
Format: 21 x 27 cm
Language: English, German



A5/05
Lufthansa and Graphic Design

Visual History of an Airline

Deutsche Lufthansa is one of the most important airlines in the world, with a long and diverse history that goes back to 1926. The visual identity of Lufthansa is just as
long and diverse. The beginning of the 1960s saw one of the most important steps in the development of corporate communication. The company employed the designer Otl Aicher and his Gruppe E5 student group to develop a visual identity for Lufthansa. It was substantially realized in 1963 and up until the present day counts as one of the most groundbreaking corporate design solutions of the 20th century. With a focus on the famous brand identity, the design and advertising history of Deutsche Lufthansa from the 1920s to today is comprehensively documented here for the first time. This volume contains numerous illustrations from the corporate archive and background articles and interviews.

Lars Müller Publishers
14.8 × 21 cm, 5 ¾ × 8 ¼ in, 128 pages, approx. 300 illustrations, paperback (2011)
ISBN 978-3-03778-267-5, German/English

Out September 2011




Instant Newton
A collection of Helmut Newton’s test Polaroids

Polaroids occupy a special place in the hearts of many photo enthusiasts who remember a time when “instant photography” meant one-of-a-kind prints that developed within minutes of clicking the shutter. What was once a crucial tool for photographers to test their shots before shooting on film has now become obsolete in the face of digital photography. Luckily for us, legendary photographer Helmut Newton saved his test Polaroids, allowing a privileged and rare chance to see the tests from a selection of his greatest shoots over a period of decades, including many from the TASCHEN titles SUMO, A Gun for Hire, and Work. Put together by his widow, June Newton, his collection captures the magic of Helmut Newton photo shoots as only Polaroids can.

Hardcover, 21 x 27.5 cm (8.3 x 10.8 in.), 224 pages
€ 39.99
Multilingual Edition: English, French, German
Availability: 07/2011