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Slanted #15 – Experimental deals with experimental design strategies in typography and graphic design. This issue presents projects incorporating the accident into the design process, works based on mistakes and inaccuracy, fonts that derive from a concept or a system – in the end work that experiments or goes unconventional ways in design.

The playful handling of tools, forms and concept is a popular procedure to broaden the consciousness in typography. It seems to be (regarding the huge amount of entries for this issue) a widespread phenomenon, very popular at design schools and universities. This is not a surprising fact – especially in interaction with a model, experimental results are the foundation of a theory. We placed a special experimental type section with 48 pages in this issue to be able to present a large collection of typographical experiments.

Inaccuracies sometimes lead to new precision – as in this issue’s text font. The typeface Korpus has been designed by Michael Mischler and Nik Thoenen of Swiss fontlabel Binnenland. It is based on a careful analysis of inaccuracy occuring in the print image of early 20th century fonts.

This issue’s cover is realized in an oldfashioned, experimental procedure, too: Its print sheet has been produced in rainbow printing using HKS colors.

Photo series of Matthias Hubert (Dortmund), who photographed fans of the current German soccer champion, and of Ken Rosenthal (Tucson, AZ), who opens the darkroom to the experiment. The type essays of Christine Hartmann (Leipzig), Will Hill (Cambridge) and Shelley Gruendler (Galiano Island) deal with strategies of the experiment in typography. Read interviews with Peter Bi’lak (The Hague), Michael Mischler and Nik Thoenen (Berne), Martin and Thomas Poschauko (Au near Bad Aibling), Oded Ezer (Givatayim), Donald Beekman and Liza Enebis (Amsterdam) and Neville Brody (London) as well as an essay about Japanese Modernism, the 5th part of the Tokyo Report, both by Ian Lynam (Tokyo), and the next sonic travelogue by Frank Wiedemann (Berlin).



From Apercu to Untitled
Published on the occasion of ‘A Product of Design’ at Scion Installation, Los Angeles. This catalogue is an overview of our font library to date. Using the source specific content for each font from this website.

Format 190mm x 250mm
Edition of 400 (Only 70 sold online)
16 page text printed 3 colour risograph
4 page cover printed 2 colour offset
Designed by The Entente
Cover printing & finishing by KP Litho, Brighton

Edition: 2/70 — £4





RM Regular is a simple, clean and legible sans-serif type font.

A great alternative to Arial, Helvetica or Gotham, RM Regular is the perfect choice for professionals.

Designed in 2011, RM Regular is the first font to be released from Essex based design studio Mash Creative.

The Opentype font includes a full charcter and glyph set which supports 47 languages.

A limited edition of 2 x 50 A2 type specimen posters will be made available absolutely free – yes that’s right – FREE! for the first 100 people to purchase the font exclusively from HypeForType. The posters have been screen printed in silver and purple ink on 200gsm GF Smith Accent Smooth Glacier White stock
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Available in 50 x silver on purple and 50 x purple on silver, each print is hand numbered and signed by Mark Bloom – founder of Mash Creative and designer of the font. Posters will be rolled into tubes and can be posted worldwide.




PhotoIreland Festival announces Martin Parr’s selection of the 30 most influential photobooks of the last decade. The selection, on show at the National Photographic Archive of Ireland until the 31st of July, is featured in the exhibition catalogue, limited to an edition of 500.
The catalogue includes Martin Parr’s comments on each book, together with illustrations and ‘Author’s notes’. These are mostly unpublished texts by the photographers, publishers and curators of the works – personal statements on the process and raison d’être of each book.

The catalogue is available for purchase online priced €20.00, or signed by Martin Parr for €40.00. A special collectors edition, signed and numbered 1-30, in a hand-made box, can be purchased priced at €100.00, all prices exclude shipping costs. Please note that not all numbers of the special edition are still available.





A new book documenting the making of China Granite Project II – a collection of furniture by Max Lamb realised in October 2010 using an igneous granite known as Sesame Black native to Fujian Province, China.

Published by Everyday Life Books