400 Bad request

594mm x 841mm
90gsm Recypal
1-colour offset print + glow-in-the-dark screen print
Ships in poster tubes

Available over at PupilPeople.

Commercial Type is pleased to announce the release of Marian, a new typeface family in 19 styles designed by Paul Barnes. Marian is a series of faithful revivals of some of the classics from the typographic canon: Austin, Baskerville, Bodoni, Fournier, Fleischman, Garamont, Granjon, Kis and van den Keere. The twist is that they have all been rendered as a hairline of near uniform weight, revealing the basic structure at the heart of the letterforms. Together they represent a concept: to recreate the past both for and in the present.

Stretching over a period of nearly two and a half centuries from the mid sixteenth century to the early nineteenth century, they represent a period when the serif typeface as used in book typography was the dominant style. From the high Renaissance of Granjon and Garamont through to the Scotch roman; all the styles are represented: old style, transitional, and finally the modern. Meretriciously researched from original sources, together they represent a concept album of cover versions of the standards of type design.

Faithful to the originals, Marian comes with small capitals in all nine roman styles, with lining and non-lining figures, with swash capitals (1554, 1740, 1800 & 1820), alternate and terminal characters (1554 & 1571). And like the hidden track so beloved of the concept album, Marian is completed by a Blackletter based on the work of Henrik van den Keere.

Marian was first introduced in the temporary exhibition “Thieves Like Us”, a collaboration between Commercial Type and designer and artist Dino Sanchez in New York in October 2011. The show explored the possibilities offered by these single stroke forms in a variety of media, including neon, nails, and pure light on a mirrored surface.

Who doesn’t know typographer/art director from the 50s and 60s Roger Excoffon? Published for an exhibition at Musée de l’imprimerie in Lyon, this book gather more than 100 documents previously unpublished.

éditions Deux-Cent-Cinq
Format 14 x 19,5 cm / 128 pages
Softcover
French texts
1000 copies, printed in France!
Graphic design: Extrafine
15 €

The rapidly expanding online market for digital typefaces is exciting and diverse. With new fonts and type foundries launching on an almost daily basis, it has been difficult to keep track of notable developments—until now. Type Navigator is a useful current handbook of modern fonts, independent foundries, and innovative type designers that provides an overview of today’s vast market. This comprehensive publication offers a valuable overview of international sources for quality fonts. In addition to concise profiles of type foundries and recent typefaces, Type Navigator features inspirational visual examples of fonts in use. A free digital collection of 100 typeface variations from 20 choice foundries accompanies the 320-page book.

Jan Middendorp, TwoPoints.Net
Release Date: September 2011
Format: 24 × 30 cm
Features: 320 pages, full color, hardcover, incl. CD-ROM with 100 typefaces from 20 foundries
Language: English
Catalog Price: €49.90 / $78.00 / £45.00

Self-initiated screenprint project by NOMO Design featuring runway patterns from airports around the world.

18″ x 24″
White ink
Steel Gray 100# Dur-O-Tone Cover by French Paper Co.
$26 over at NOMO Design store

Eight:48’s seventh issue, ‘You are Here’, focuses on designers and their relationship with the cities they live in. The issue features viewpoints from Tim Bjørn, SB Studio, Somewhere Else, Mainstudio and Bond among others.

Issue Price: £6 (including p&p to UK)
Pages: 40pp
Format: Tabloid Newspaper
Print: Four Colour

To buy issues 1-7 of Eight:48 for a special price of £35 please go to www.counter-print.co.uk

Gleaned from thousands of images, Mid-Century Ads: Advertising from the Mad Men Era offers the best of American print advertising in the age of the “Big Idea.” At the height of American consumerism magazines were flooded with clever campaigns selling everything from girdles to guns. These optimistic indicators paint a fascinating picture of the colorful capitalism that dominated the spirit of the 1950s and 60s, as concerns about the Cold War gave way to the carefree booze-and-cigarettes Mad Men era. Also included is a wide range of significant advertising campaigns from both eras, giving insight into the zeitgeist of the time. Bursting with fresh, crisp colors, these ads have been digitally mastered to look as bright and new as the day they first hit newsstands.

Hardcover, 2 vols. in slipcase, 24 x 33.6 cm, 720 pages, € 39.99

3 years, 148 posts, 904 comments and over 2.5m visits later, Design Assembly (as we know it) is no more. ‘3’ archives over 100 published articles, comments included, as well as showcasing new and exclusive words and images from some incredible people.

£40.00 Free P+P

Aperture is pleased to present The New York Times Magazine Photographs ($75), edited by Kathy Ryan, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. With a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in various sections, including reportage, portraiture, style, and conceptual photography, and photo illustration.

Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years.

For the third volume of their eight-part series, Bracket – They survey 16 individuals on the future of education and its’ impact on creativity.

Featuring: Bianca Chang (Sydney), Craig Oldham (Manchester), Jack Sanders (Austin), Jasper Morrison (London), Jocelyn Glei (Brooklyn), John C Jay (Portland), Kenya Hara (Tokyo), Kirby Ferguson (New York), Kyle Bean (Brighton), Makoto Azuma (Tokyo), Masashi Kawamura (New York), Nicole Lavelle (Portland), Sarah Temple (London), Steve Heller (New York), Timothy Goodman (New York) and Xavier Encinas (Paris).