David Valy & Annelise Cochet duo aka Camping Design produces very nice projects for music, Art and cultural clients.

See extensive portfolio here.

Very nice work from Paris based Art Director Côme de Bouchony.

The Revolution won’t be set in Garamond – “Slanted #11 – Monospace, Typewriter” comes in revised structure and layout. Projects are confronted with each other, magazine sections overlap. The changes reflect our attitude towards contemporary editorial design in analogue and digital times. This “new order” is a homage to the visual and to design. Orientation, information and sections still have their own right and place within the magazine’s structure, but the changing of perspectives, the relations and associations are definitely not an expression by the medium of information, rather of openness and examination. It’s a concept that doesn’t come under the hegemony of function, a feast of the visual.

With great pleasure we present the work of studio Moiré (Zurich/CH), the photographic essays “Images from the Dark Side” by Martin Miller (Baltimore/USA) and “A Crude World” by Paolo Woods (Paris/FR) as well as contemporary typefaces, illustrations and projects related to monospace and typewriters. Type essays by Alexander Negrelli (Berlin/DE), Rieke Harmsen (Munich/DE) and Horst Wöhrle (Esslingen/DE) examine the aesthetics, history and connotations of typewriter fonts, interviews with Yves Peters (Sint-Denijs-Westrem/BE), Richard Kegler (Buffalo/USA), Georg Seifert (Berlin/DE) as well as a Tokyo report by Ian Lynam (Tokyo/JP) and a musical travelogue by DJ Frank Wiedemann (âme / INNERVISIONS, Berlin/DE) round up the stuff to read.

Seven new House serigraphs hand-pulled by David Dodde on acid-free French Paper. This series features black, white and metallic artwork from the Photo-Lettering archive and the Eames Century Modern font collection.

Hand printed in the USA by David Dodde
Individually numbered
Acid-Free French Paper
Recycled paper from a local family-owned mill
20 x 26 (508 mm x 660 mm)
Shipped in custom tubes with special wrap

$45

Anthon B Nilsen
Annual report for Anthon B Nilsen, an over 100 years old company that operates in the fields of property, education and recycling. What a man carry in his pockets can tell a lot about a person, and Anton B Nilsens largest resource is their employees, the individuals behind the scene. Documenting the company from the inside by showing their emplyees belongings, rather than just their faces, we learn to know the company at a personal level. Print finishing includes black foil blocking and mainly recycled paper stocks. Art direction and design in collaboration with Martine Holmsen and Berit Bakkerud at Plastelina. Photography by Mathias Fossum.

Frøystad+Klock
A small identity for furniture designers Frøystad+Klock, inspired by scandinavian design traditions and their clever use of materials. A stripped down minimalistic approach is ensured by focusing on details in the wordmark – like the plus, Ø and O, and the way they stand together. Twelve photos of different materials were teamed up with colored paper to separate the two designers. This also allows flexibility, each element can be shown a number of ways, within the same strict setup.

Westerdals
We were commissioned by Dist Creative to create a small sub-identity for the Westerdals 2010 admission. We saw no reason to change Westerdals profile font, Helvetica, but we did want to create a clearer separation between the different courses. We did this by utilizing only coloured paper, with black ink. The brochure utilizes nothing less than 8 different paper stocks in three different weights. We wanted to make a clear, grid-based work, that didn’t overshadow the creative tasks that the applicants themselves were submitting. The profile was also used on other ranges of media. Photography by Yann Bougaran.

Amazing limited edition box by Nick Roberston (couldn’t find any website of this designer…) for Brian Eno‘s new Album on Warp Records “Small Craft On A Milk Sea”.

Packaged in a rigid, Birch paper-covered slipcase with printed and foil-blocked cover and spine, this edition includes:

- 180g heavyweight, double disc 12″ vinyl pressing of the album, in full-colour, case-bound 12″ cover. Lined in crimson stock with foil block.

- CD pressing of the album, along with extra disc containing four extra tracks, in full-colour, case-bound 12″ cover. Lined in crimson stock with foil blocked credit sheet.

- High quality 12″ square lithographic print of new Brian Eno artwork, printed on 352gsm Mohawk Superfine stock, presented in full-colour, case-bound 12″ cover. Lined in crimson stock with tissue paper protection.

- Audiophile quality downloads : 24-bit WAV album AND 320kbps MP3 album delivered digitally on day of release.

The album covers featured on Project Thirty-Three were collected, scanned and archived by the owner of Jive Time Records, a Seattle based store specializing in used vinyl.

Interesting layout and typography use for this book of Atelier d’Architecture Novembre by BenBenWorld.

+81 Magazine Vol.49 European Graphic Issue is out now.

Interviews
cyan, A2/SW/HK

UK
Rishi Sodha,Richard Robinson, Anthony Burrill, Julia, The Luxury of Protest

France
OFFICEABC, HEY HO, Xavier Encinas Studio, Helmo, Artworklove

Germany
Jung + Wenig, DOUBLE STANDARDS, 123buero, onlab

The Netherlands
Mainstudio, Lesley Moore, BASTER, almost Modern

Swiss Dots has produced a new limited-edition screenprint inspired by a 1960’s promotional poster for Helvetica, a version of which keeps popping up on Mad Men this season.

Hand screenprinted on archival 300gsm paper, A2 size (16 1/2″ x 23 1/2″) in a numbered edition of 100 copies, each signed by director Gary Hustwit. $150, order one here, while they last.