Bracket Vol. 02 focuses on Hunger and features: Seth Godin, John Maeda, HelloVon, Behance, This is Real Art, Ghostly International, Timothy Saccenti and more.
$15
Pages: 24
Size: A2 (Open) A3 (Closed)
Magazine
Kilimanjaro Magazine issue 12 – Thinking Of Collective
Featuring Hauser & Wirth, Roman Signer, Elad Lassry, Heinz Peter Knes, and Damo Suzuki.
Presented in a special boxed edition, featuring a ‘ten of clubs’ design.
The issue contains:
Hauser & Wirth – A sixteen-page colour supplement of photographs, documenting the
day-to-day running of Hauser & Wirth gallery, alongside a feature which explains
Hauser & Wirth in the words of its staff and resident artists, including MARTIN
CREED, and architect ANNABELLE SELLDORF.
Roman Signer – An interview with the artist ROMAN SIGNER regarding his artwork,
which centres around natural forces and the transformation of objects. Includes
colour photographic inset of the artist’s work.
Heinz Peter Knes – A full-colour supplement of HEINZ PETER KNES’ images of Berlin
residents, curated by Kilimanjaro Magazine.
Elad Lassry – An interview with photographer ELAD LASSRY, whose work is comprised of
found images. Includes colour photographic inset of the artist’s work.
Making Love To Architecture – A conceptual essay by BEN CLEMENT and SEBASTIAN DE LA
COUR.
Damo Suzuki – An interview with musician DAMO SUZUKI, regarding his “Network”, a
global project connecting musicians on an international scale. Includes a full-page
photographic image by Atlanta Rascher.
Includes exclusive collaborative content with YSL, with gold foil detail throughout.
New menswear supplement KILIMAN, which contains 25 pages of high-end men’s fashion,
including YSL and YOHI YAMAMOTO, printed on high-quality peach newsprint. Features
exclusive YSL inset.
Creative Review May features an extra 102 pages of great work in The Annual, plus features on how designers can help Japan, David Byrne, Penguin’s Great Food series, the late Ron Collins, and Andy Rementer. Our ‘A’ is rendered from data from the blog…
Minivegas created this month’s cover using a specially created app that stripped out every story and image featured on the CR blog over the past year and rendered the data into an ‘A’ (the project was produced by Nexus Interactive Arts). CR readers will be able to download the app for themselves and we’ll post more details about this, how the cover itself was made, plus a film of the process in action, later in the week.
Issue Price: £6
(including p&p to UK)
Pages: 80pp
Format: Quarterfold Newspaper
Print: Four Colour
More over at Eight:48.
Codex is a hybrid of magazine and journal. Beautifully designed, visually appealing, an immersive experience with a lively voice, it is also serious about its subject: authoritative, scholarly at times, but not dry in tone. It’s serious, but not stuffy. It loves the people, tools, and type associated with this craft, from the man carving beautiful cherubim into wood blocks in the 1400s to brilliantly formed modern interpretations and departures. It embraces the web and is watchful for the future’s classics.
Codex offers the final word on the shapes that form our words. You’ll find a spectrum of messages and experiences: deep research that cannot be found anywhere online; articles that speak to the working typographer; that look at life outside our work but through the typographer’s eye; that put new type, lettering, books, or practices under the microscope; or that showcase type that simply sits there, self-satisfied and sumptuous.
Codex is a limited-run print magazine, with limited ads that leave nearly all the breathing space for rich content; it’s published quarterly — full color and substantial in size: A4 (~8″ by 5″).
Set in Lyon Text & Display from Commerical Type, Knockout from H&FJ, & Akkurat Mono from Lineto. Printed in Germany on beautiful, smooth, uncoated Munken Lynx 120gsm paper.
