— Swiss Legacy

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Back Cover, graphic design, typography, etc. is a publication focused on thinking and analyzing graphic design and typography’s practices; and to a larger extend visual art’s.
Back Cover is a featuring showcase for major figures from all over the world who make or review the visual environment we live in; and whose works, ideas or opinions are strong and relevant. Designers of all kind are particularily encouraged to publicize their word in it.
Back Cover is not a newsmag. It offers reflexions, historical and critical analysis, individual and collective experiments.

CONTENTS
A Conversation with karel martens
Robin Kinross and Karel Martens talk, through skype, about the new binding of Printed Matter, the organization of Oase magazine, architecture and graphic design.
by Robin Kinross

An important encounter
Wim Crouwel reveals us his discovery of Schiff nach Europa. He shows the structural and typographic inventiveness of this book designed by Karl Gerstner in 1957.
by Wim Crouwel

Before a manifesto
Can we still write a manifesto about design ? Third and last part of the White Night – Before a Manifesto booklet.
by Metahaven

Writing design
Towards a culture of code
Method, system, program: Stéphanie Vilayphiou and Alexandre Leray present several approaches to the use of code publishing in design making process.
by<stdin>

Systematic book design?
In this text, presented for the first time as a lecture in Munich in 2007, Jost Hochuli gives with some examples of his own work, clues about his method and questions the system in his work.
by Jost Hochuli

A non-nostalgic encounter with modern typography
Essential: this is the appropriate adjective to define the book Modern Typography written by Robin Kinross. Roland Früh, who was his assistant for two years, evokes this book first published in 1992.
by Ronald Früh

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Conceived during the summer of 2009, Playground Magazine began as a platform for students at the University of Brighton to see the creative endeavours of their peers in print. The publication came to fruition with the support of CETLD – a partnership led by the Faculty of Arts at the University of Brighton, in collaboration with the V&A, RIBA and the Royal College of Art.

The magazine has now published five issues and contains contributions of writing, art and design from students, staff and alumni across the University, amongst submissions from guest writers. Published each term, it is currently produced in editions of 200 at a Risograph printer in London by Dittopress and every copy is hand-finished.

Crammed with opinions on internships, education cuts and institutional critique; the SOS Issue – inspired by its own submissions – has decided to reveal the means of its making. This issue includes piecharts illustrating editorial decisions, a flowchart which attempts to map out key influences upon the magazine, and an article which exposes its own editorial process. Alongside interviews with designer James Langdon and Amelia Johnstone, illustrator/founder of ARC Magazine, you will also find proposals for a fictional art collection and online magazine – oh, and keep an eye out for the puns on ‘how to stay afloat’.

Edition of 200

44 pages
240mm x 165mm
Risographed in blue & fluorescent orange
Z-fold bind
120gsm Munken Pure Rough
270gsm Light Blue Colorset cover

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

Acne Paper

The new site for Acne Paper was just launched, showcasing all 10 back issues for us to enjoy. No. 11 was recently published featuring the stunning photography of Bruce Bernard. The Swedish Art/Fashion hybrid magazine is published twice a year and is a collective collaboration between Acne Studios, Acne Film, Acne Digital and Acne Advertising – with art direction by Acne’s Art Department.

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An explosion of little architectural magazines in the 1960s and 1970s instigated a radical transformation in architectural culture, as the magazines acted as a site of innovation and debate. Clip/Stamp/Fold takes stock of seventy little magazines from this period that were published in over a dozen cities. The book brings together a remarkable range of documents and original research which the project has produced during its continuous travels over the last four years starting with the memorable exhibition at the Storefront for Art and Architecture in November 2006.

The book features transcripts from the “Small Talks” events at Storefront in which editors and designers were invited to discuss their magazines; a stocktaking of over 100 significant issues that tracks the changing density and progression of the little magazine phenomenon; transcripts of more than forty interviews with magazine editors and designers from all over the world; a selection of magazine facsimiles that have been fully reproduced at three-quarter scale; and a fold out poster, inspired by the exhibition’s printed wallpaper, that offers a mosaic image of more than 1,200 covers examined during the research. Just as each iteration of the exhibition is an open-ended collaboration with the visitors and with a different group of editors, institutions, and collectors who provide a different set of original magazines in each city, this catalogue documents a work in progress, hoping to stimulate further discussion and research.

Edited by: Beatriz Colomina , Craig Buckley
Published by: ACTAR
Price: 45.00 €

BUY IT HERE

(via magculture)

Mousse #26

Mousse #26

Mousse #26

Mousse #26

Mousse #26

Mousse #26

Mousse is a free bimonthly art tabloid (issue #26 out now), a publisher of books and publications and an agency of art related events/projects. I recommend you pick the publication up if you’re visiting Milan and make sure to add their excellent rss feed to your readers.