— Swiss Legacy

Archive
Grid

You’re invited - Helvetica - 50
Designed by peter&wendy.

Swiss Legacy and The Lazy Dog are very pround to announce the venue of “50″ an exhibition about Helvetica in Paris.

Helvetica 50
at Reflex Gallery
62, rue Jean-Jacques Rousseau
75001 Paris – France

e: cecilia@swisslegacy.com

Opening: October 18th from 6pm to 10 pm.

Exhibition from october 18th to November 8th
The Gallery is open Monday to Friday from 12h to 20h and Saturday from 12h to 20h.

Supported by Epson, Commonwealth, GF Smith, Generation Press, Activaire, Build, Victionary, Wad Magazine, Soleil Noir, 10/18 and Centre culturel Suisse.

Be there.

Download press release here (in french).

More promotional material here and here.

Richard Paul Lohse, Pioneer of Swiss Style
Diagonal from bright equality and contrast 1956/1975
Oil/canvas, 120 × 120 cm
© Richard Paul Lohse Foundation | ProLitteris, Zürich

Richard Paul Lohse was born in Zürich in 1902. The young Lohse dreams of becoming a painter. However his wish to study in Paris is thwarted due to his difficult economic circumstances. In 1918 he joins the advertising agency Max Dalang where he trains to be an advertising artist. Lohse, the autodidact, paints expressive, late cubist still lifes. In the 1930s his work as a graphic artist and book designer puts him among the pioneers of modern Swiss graphic design; in his painting he works on curved and diagonal constructions.

In 1937 Lohse, with Leo Leuppi, cofounds Allianz, an association of Swiss modern artists. In 1938 he helps Irmgard Burchard, with whom he is married for a brief time, to organise the London exhibition “Twentieth Century German Art”. His political conviction leads him into the resistance movement where he meets his future wife Ida Alis Dürner.

1943 marks a breakthrough in Lohse’s painting: he standardises the pictorial means and starts to develop modular and serial systems. In 1953 he publishes the book “New Design in Exhibitions”, and from 1958 he is coeditor of the magazine Neue Grafik/New Graphic Design. Important exhibitions and publications bring Lohse’s systematic-constructive art and constructive graphic design worldwide acclaim. He died in Zürich in 1988.

Richard Paul Lohse, Pioneer of Swiss Style
Helmhaus Zürich allianz, exhibition poster, 1954
© Richard Paul Lohse Foundation | ProLitteris, Zürich

Lohse started off as a graphic designer when the development of photomontage and typomontage by the Constructivist avantgarde was cut short in many parts of Europe by political events. Out of the pictorial discoveries of Constructivism, he developed a form of Constructive design that helped to give form to the concept of Swiss graphics, which was to have a global impact on design in the 1950s. Lohse did not confuse graphic design with the self-satisfied expression of the artist’s subjectivity through the graphic medium. Rather he found means of giving objective form to differentiated content. (Jörg Stürzebecher, 1999)

More informations on his official website : www.lohse.ch

(Via Createmake)

[tags] Richard Paul Lohse, graphic design, painting, swiss style[/tags]

Max Bill, universal creator
Max Bill solo exhibition Kunstmuseum Stuttgart (2005-2006)

Max Bill was born in Winterthur. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer in 1927-1929. He later taught at the Bauhaus.
From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists. In 1944, he became a professor at the school of arts in Zurich. In 1950, he, Inge Aicher-Scholl and Otl Aicher founded the Hochschule für Gestaltung in Ulm, Germany (HfG Ulm), a design school in the tradition of the Bauhaus, which was however closed again in 1968.

Among Bill’s most famous designs is the “Ulmer Hocker” of 1954, a stool that can also be used as a shelf element or a side table. Although the stool was a creation of Bill and Ulm school designer Hans Gugelot, it is often called “Bill Hocker” because the first sketch on a cocktail napkin was Bill’s work.

Bill sought to create forms which visually represent the mathematical complexity of the New Physics of the early 20th century. He sought to create objects so that this new science of form could be understood by the senses. A prime example is his work with the Möbius strip form. From 1967 to 1971 he became a member of the Swiss National Council, then became a professor at the Staatliche Hochschule für Bildende Künste in Hamburg and chair of Environmental Design from 1967 to 1974. In 1973 he became an associate member of the Royal Flemish Academy of Science, Literature and Fine Art in Brussels. In 1976 he became a member of the Berlin Academy of Arts.

Max Bill, universal creator
Max Bill solo exhibition Kunstmuseum Stuttgart (2005-2006)

A large granite sculpture by Max Bill was installed adjacent to the Bahnhofstrasse, Zürich in 1983. As is often the case with modern art in public places, the installation generated some controversy.

(Source : Wikipedia and photo by Peter Scheu)

[tags]Max Bill[/tags]

Grenelle - Crouwel - Helvetica

Very nice swiss design by Aiden Grennelle at Image Now for Sweettalk 23 in Dublin.

[tags]Helvetica, sweettalk, dublin[/tags]

Helvetica calendar

Severin Furneaux just finished designing this Helvetica calendar. The days are based on different stroke widths.

[tags]Helvetica, poster, calendar[/tags]