Just got this poster in my mailbox today. Thanks David. Poster designed by this-studio.co.uk

Muller-Brockmann / Opernhaus Zurich / Die Liebe zu den drei Orangen
Die Liebe zu den drei Orangen [ 128CM X 90CM ]
£250
New stuff over at Blanka.co.uk
http://www.blanka.co.uk/supersize?product=2827
http://www.blanka.co.uk/supersize?product=2845
Design By Grid is a new site explaining this swiss heritage and showcasing sites that are using the grid in their construction.
It is also a great ressource for news, articles and tutorials.

Willy (Wilhelm August) Fleckhaus, who was born in Velbert in 1925, was one of the most innovative and influential postwar graphic artists in the German-speaking countries. Having trained as a journalist, in 1948 Willy Fleckhaus became editor of “Fährmann” magazine published by Christophorus Verlag in Freiburg and, in 1950, editor of the trade union journal “Aufwärts”, published by Bund Verlag. From 1953 Willy Fleckhaus was head designer for this youth magazine. In 1959 Willy Fleckhaus designed “Welt der Arbeit”, another Bund Verlag magazine. That same year Willy Fleckhaus became a self-employed graphic designer. Joining forces with Adolf Theobald and Stephan Wolf, Willy Fleckhaus co-founded “Twen” magazine and became its art director. At the same time Willy Fleckhaus worked as a consultant for the Cologne publishers DuMont-Schauberg and also designed book covers for several pocketbook editions published by Suhrkamp Verlag and Insel Verlag. In 1976 Willy Fleckhaus designed the Photokina catalogue and exhibition, continuing to work for Photokina until 1976. Willy Fleckhaus designed the “Frankfurter Allgemeinen Zeitung” magazine section, designed logos for “Quick” magazine and Westdeutscher Rundfunk, and designed the “Ein Herz für Kinder” children’s charity campaign. In his graphic designs, Willy Fleckhaus unites the imaginative style of American editorial design with the objective, cool structure of the Swiss school. For “Twen” magazine, which discussed currently relevant topics, Will Fleckhaus designed a thoroughly modern layout. Typical of it are a symmetrical raster, cut-in pictures and boldface typography contrasting with black-and-white surfaces. In 1974 Willy Fleckhaus became a professor at the Folkwangschule in Essen. From 1980 until he died, Willy Fleckhaus taught typography in the communications design department at Bergische Universität Wuppertal.
For those who couldn’t be at this lecture, you will find here some picture of this great moment.
Like every of his appearence, Wim Crouwel gave us a great opportunity to know who he is, what he likes and how he works. It’s always refreshing to hear him talk about his life, his passion for design and typography. Yesterday, two main things took my attention. First, one sentence “The designer is here to serve the public“. This sentence has always be my way of design. “Use the form to serve the content“. Second, he also talked a lot about his passion, since always, for architecture. If you take a look at his work, it’s obvious all the grids and type he used are influenced by architecture, lines and formes.
He was also here for signing his new book “Architectures typographiques“, design by Experimental Jetset and published by F7. I’ll suggest you to buy this book but also the great retrospective made by japanese magazine IDEA.






