— Swiss Legacy

Archive
Graphic Design

(25 August — 1 October 2011)

Kemistry Gallery and Fletcher Studio are proud to present Mind Over Matter: Alan Fletcher’s The Art of Looking Sideways – a celebration of ten years of this seminal publication and the work of a true design icon.

The exhibition brings together a collection of original material and notes from Alan Fletcher’s archive, documenting thirty or so years of attentive curiosity by Alan at large – throughout a career that (he asserted) was made from being in the right place at the right time. The accumulation of coincidence, chance and choice, that eventually led Alan to make the book, will pique curiosity and enlighten minds. A truly unique and personal collection of visual imagery, design articles, factual and cultural curiosities and quotations, The Art of Looking Sideways captures the sensory overload of contemporary visual culture, while also acting as a primer in visual intelligence. Fletcher’s work is instantly recognisable for its effortless simplicity, visual wit, and an inherent joy and surprise that was intensely personal. A compulsion for collecting useless information and putting it to work combined with a mastery of book design, shaped his thoughts and fed the fire.

Fletcher reminds us that a strong idea is always at the heart of a great design and that one must constantly reconsider the relationship between thinking and looking, telling and showing. His work, as reflected in this exhibition, is as refreshing and inspiring today as ever.

Alan Fletcher belongs to that élite international group of designers who have transcended the conventional boundaries of their craft. He was a member of the now legendary design consultancy Fletcher Forbes Gill, and a founding partner of the international design group Pentagram. Whilst as Consultant Art Director at Phaidon, he not only set high design standards for its art, architecture and design books, but worked with a generation of younger designers as well as to tell his design story by publishing his own books.

Kemistry Gallery, together with the estate of Alan Fletcher, have made available two beautiful, limited edition giclée prints – A Pizza and Two’s a crowd, three’s company. Exhibition posters and copies of the book The Art of Looking Sideways , published by Phaidon, will also be available for purchase during the exhibition.




Designed by Joseph Hales and edited by Carianne Whitworth, Playground Magazine is pleased to present The Exchange Issue. Its features include interviews with IFS, Ltd, the Yale graduates whose collaborative publication was bartered for during the New York Art Book Fair; artist Rebecca Lennon, who covertly records the confused conversations between debt collection agencies after she has placed them on the phone to one another; and – skyping from the Miami Poetry Festival – illustrator Sam Winston, who reworks and exchanges the visual structures of archetypal texts. Further highlights include an essay on the Dutch tulip bubble, an explanation of how Karl Marx’s overcoat contributed to the creation of his seminal text Capital, and a currency created exclusively for this issue of Playground by designer Fraser Muggeridge.

Issues can be exchanged for a mere five pounds from the stockists listed on www.playgroundmag.co.uk, or from our online shop: www.playgroundmagazine.bigcartel.com

Edition of 200
44 pages
240mm x165mm
Printed by Ditto Press on Munken Pure and Popset Lime




Response is a bi-annual journal which explores contemporary Antipodean graphic design. An initiative of AGDA Victoria, the publication was created to fill a perceived deficiency in the local publishing scene.

The launch issue is centred on the theme of ‘What’s Next?’ and features content from creatives including Garry Emery, John Warwicker, Fabio Ongarato Design, Spike Hibberd and New Zealand’s Alt Group. A collaborative project in the truest sense, Dominic Hofstede and Paul Marcus Fuog are responsible for curating and designing the first two issues.

Design: Dominic Hofstede with Paul Marcus Fuog



Slanted #15 – Experimental deals with experimental design strategies in typography and graphic design. This issue presents projects incorporating the accident into the design process, works based on mistakes and inaccuracy, fonts that derive from a concept or a system – in the end work that experiments or goes unconventional ways in design.

The playful handling of tools, forms and concept is a popular procedure to broaden the consciousness in typography. It seems to be (regarding the huge amount of entries for this issue) a widespread phenomenon, very popular at design schools and universities. This is not a surprising fact – especially in interaction with a model, experimental results are the foundation of a theory. We placed a special experimental type section with 48 pages in this issue to be able to present a large collection of typographical experiments.

Inaccuracies sometimes lead to new precision – as in this issue’s text font. The typeface Korpus has been designed by Michael Mischler and Nik Thoenen of Swiss fontlabel Binnenland. It is based on a careful analysis of inaccuracy occuring in the print image of early 20th century fonts.

This issue’s cover is realized in an oldfashioned, experimental procedure, too: Its print sheet has been produced in rainbow printing using HKS colors.

Photo series of Matthias Hubert (Dortmund), who photographed fans of the current German soccer champion, and of Ken Rosenthal (Tucson, AZ), who opens the darkroom to the experiment. The type essays of Christine Hartmann (Leipzig), Will Hill (Cambridge) and Shelley Gruendler (Galiano Island) deal with strategies of the experiment in typography. Read interviews with Peter Bi’lak (The Hague), Michael Mischler and Nik Thoenen (Berne), Martin and Thomas Poschauko (Au near Bad Aibling), Oded Ezer (Givatayim), Donald Beekman and Liza Enebis (Amsterdam) and Neville Brody (London) as well as an essay about Japanese Modernism, the 5th part of the Tokyo Report, both by Ian Lynam (Tokyo), and the next sonic travelogue by Frank Wiedemann (Berlin).

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Studio-Subsist is a London-based design practice producing work across corporate identity, editorial, web design, print, branding, digital design etc. Always striving to produce rational, meticulously crafted and compelling solutions that are tailored to the needs of each individual client.