Mash Creative ‘Rethink’ of the Royal Mail logo for ICON magazine



Royal Mail Rethink, Mash Creative explains:
To move forwards, sometimes you need to look to the past. Brand identities seem to have a habit of becoming too complicated over the years. We wanted to take the Royal Mail logo back to basics while retaining key elements of the original, thereby creating a design that would remain fresh for years to come.
The plan was to strip away anything that made the logo fussy or could be deemed unnecessary – very much a “less is more†approach. The key elements of our Rethink include a redrawn and simplified crown, an updated logotype, the removal of the rectangular holding devices and a softer colour palette. The overall layout and proportions of the crown and type remain pretty much the same.
Our starting point was the crown. The current logo (above) is based on St Edward’s crown, but our research showed not only that it is inaccurate in shape but also that the jewels on the arches are too prominent. We asked ourselves: “How much can we remove from the crown without it becoming unrecognisable?†We decided that losing the jewels on the arch altogether would simplify the shape and allow the logo to be scaled down without loss of clarity. The final shape is a truer representation of St Edward’s crown.
The current logotype is starting to show its age. We wanted one that could grow old gracefully, so we designed our own font, called RM Regular. This is a simple, clean and legible sans-serif type that complements the crown marque. We initially tried the type in upper case but eventually decided on title case, which not only looks better but was more in keeping with the existing identity. The letters R and M maintain some of the characteristics of the existing logo, in order to show evolution.
The decision to use one prominent colour instead of several was a fairly easy one. Influenced by the colour scheme adopted by the General Post Office around the time of the Second World War, we finally decided upon a palette of faded red and parchment. This simplified colour scheme looks soft, modern and distinctive.
Mash Creative would like to say a special thank you to Shazia, Jon and team at ICON magazine.




Someone should really have told those guys about Akzidenz/Univers/Helvetica, it would have saved them a lot of time…
Lovely work — lower case ‘l’ works well in the post context.
Sorry, this is trying to be classic through simplicity, but it’s as boring as it can get. Completely unimaginative. Boring boring boring
Living in the US I’m not familiar with the original design. I like this refresh very much. It could just be my love for styleguides in general—but this one is particularly comforting through its simplicity.
This is absolutely fantastic! Royal Mail is long overdue for a contemporary rebrand and this could be the solution for their dated brand image.