— Swiss Legacy

Archive
April, 2010 Monthly archive

Opening of the Bureau des affaires typographiques, first French type design company on the internet.

The Bureau des affaires typographiques (B.A.T) is a company founded by four young graphic- and type designers. Based in Paris, it aims at fostering innovative and quality French typography throughout the world. The website will open on April, 26th, while a video reel is already available on the internet.

Since 2009, Bruno Bernard, Stéphane Buellet, Jean-Baptiste Levée and Patrick Paleta secretly work on the creation of what is now the first French type design and distribution company since the 1980s.

These four freelance graphic- and type designers got together in founding a Limited Liability Company aimed at promoting their own typeface designs along with the ones of other French type designers’ (or designers whose works bear a certain French spirit.) Thus, the BAT is a collective project, based upon the will of merging energies and strugging against the scattering of type designers and their tendancy, for a few years, to isolate into one-person businesses.
The BAT ambitions the gathering ot the finest creative French type design, whether it comes from young talents or confirmed artists.

Since the 1990s, France is indeed in the middle of a typeface design renewal. For thirty years, foundries have not ceased to close their doors, amongst them Deberny-Peignot (1974), Olive (1976), Hollenstein or TypoGabor (1989) ; and there has not been one collective structure to ensure visibility on the international type design scene. The BAT has been created to respawn this visibility and to defend its know-how and specificities.

Very nice minimal work by Italian graphic designer Filippo Nostri. Filippo’s work deals with graphic design with particular attention the relationship between form, material and structure.

Off the Wall is an exhibition of the print, motion, site-specific and interactive work of this year’s fifteen MFA candidates in the Graphic Design program at the Yale University School of Art.

Faced with the challenge of presenting their work in a way that celebrates both the individuality of each designer and the spirit of the class as a whole, the students decided to take their work off the walls. In a gesture that reduces the exhibition to its most essential form, all works will be placed on the floor. As the title implies, Off the Wall is unorthodox and intuitive. Instead of grouping the work by maker or medium, it will be arranged loosely, letting visitors make their own links and connections between objects. By presenting their work on the floor, on the same surface that viewers stand, the designers ask the viewers to engage with objects they encounter. Each piece becomes accessible, allowing visitors an opportunity to pick up, read, view and directly experience all works on display.

During Yale’s intense, two-year program, students build a coherent, investigative, and experimental body of work, culminating in a thesis. Though each student’s thesis project expresses a singular methodology, they share common features: the application of a visual method to studio work and the writing and design of a catalogue raisonné. Alongside designers’ print, video, and interactive work, Off the Wall will feature the fifteen thesis books, which contextualize the designers’ work in relation to their emerging practices.

Off the Wall was designed by and features the work of this year’s fifteen MFA candidates in Graphic Design at the Yale University School of Art. They are: Nazima Ahmad, Ke Cao, Laura Grey, Geoffrey Halber, Lauren Harden, Luke Harris, Ely Kim, Daniel Koppich, Caspar Lam, Melissa Levin, Kate O’Connor, YuJune Park, Jay Peter Salvas, Steven Sarkozy, and Vance Wellenstein.

Please visit www.yaleoffthewall.com for a preview of the exhibition.
For more information, email info@yaleoffthewall.com

May 15-22, 2010
Closing reception: Saturday, 7-10 pm, May 22, 2010
Yale University
Green Hall Gallery
1156 Chapel Street, New Haven CT 06511


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I discovered this new magazine a couple of month ago. I am glad to see this second issue out.

Who is Monika?

The space we’re in

We are surrounded by brands, celebrities, products and patented packaging. We read our world fast. We know the names we like and the ones we don’t. We don’t have time. Creators strive to get known. Get the work rolling in. Be accepted. It’s good sense: a need to survive. But what if we could slow it right down for a little while, find ourselves time to ponder, space for suspense? Isn’t there something wonderful in the not immediately recognisable?

An unknown quantity

Monika is an arts journal that does away with bylines. As respite from the exhaustive branding of conventional media, contributors adopt a disguise that enables them to experiment with new material or style, to bypass expectation and to play. By placing the quality of her content over the marketability of her contributors, Monika invites readers to decode identities, unravel mysteries and embrace the unfamiliar.

Telling tales

Through visual arts and the written word, Monika shares engaging ideas and observations. Each themed issue is designed to entertain readers with originality, wit, and sensitivity to the everyday. Combining imagination and experience, criticism and curios, Monika’s content is handpicked for its ability to render the unknown, unputdownable.

Buy it here.

It’s a retro resurgence with a modern twist. Pong is back. But not just any old Pong. Oh no. It’s TypePong my friends. Pong. With type. This time, it’s on the iPhone, and as one of the most addictive games out, we’re sure you’ll have hours and hours of fun.