— Swiss Legacy

Archive
January, 2010 Monthly archive

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The 13th issue of Livraison – bilingual journal – addresses the relationship between language and typography, along two complementary lines:

- language as a linguistic proposal shaped by typography
- typography as a graphic language, with its own structure (syntax, vocabulary), enunciating modalities (book, poster, etc.), producers (graphic designers, typographers), and readers.

This issue on language and typography is also meant to be a space for cross-thought and creation. Two kinds of contributions are offered: theoretical contributions on one hand, and visual proposals (for instance typographic creations and recent experiments) on the other hand.

Peter Bil’ak / Benoît Buquet / Stéphane Darricau / Lucas de Groot / Sonia de Puineuf / Olivier Deloignon / Caroline Fabès / Victor Guégan / Lucille Guigon / Thomas Huot-Marchand / Roxane Jubert / Annick Lantenois / Jean-Baptiste Levée / Alejandro Lo Celso / Kader Mokaddem / Titus Nemeth / Vivien Philizot / Pierre Rœsch / Fabrice Sabatier / Sébastien Truchet
Issue director Vivien Philizot

Launching Party 28th January – Galerie Anatome Paris
http://www.livraison13.org

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New projects by Barcelona based studio Folch Studio.

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Commercial Type is a joint venture between Paul Barnes and Christian Schwartz, who have collaborated since 2004 on various typeface projects, most notably the award winning Guardian Egyptian. The company publishes retail fonts developed by Schwartz and Barnes, their staff, and outside collaborators, and also represents the two when they work together on typedesign projects.
Following the redesign of The Guardian, as part of the team headed by Mark Porter, Schwartz and Barnes were awarded the Black Pencil from the D&AD. The team were also nominated for the Design Museum’s ‘Designer of the Year’ prize. In September 2006, Barnes and Schwartz were named two of the 40 most influential designers under 40 in Wallpaper*.

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Generation Press is 10.
Designed by Build with contributions from Sanna Annukka, Timothy Saccenti & John O’Reilly.
#GPis10

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Paris based design studio WA75 designed this lovely typeface called Miles Grotesk for a Miles Davis retrospective exhibition in Paris.